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Archive for Bespoke Projects

160 Photographs. One Story. – Because sometimes one photo isn’t enough

Recently, we worked with a customer, James, on something really special.

He wanted to celebrate 50 years of family life – not with just one or two framed photographs, but by bringing all of those memories together.

So together, we created three bespoke photo montages, designed to sit side by side as floating frame canvas prints – telling the story of his family in chronological order, from the earliest moments through to today.

Photographs Forever

Photographs Forever

Each montage was made up of dozens of individual photographs – over 160 in total – carefully enhanced and arranged to flow naturally from one moment to the next.

That really is the beauty of a photo montage. Instead of choosing just one image to display, you can include everything – the big milestones, the small moments, the forgotten snapshots – all brought together into one piece.

It becomes something you don’t just glance at, but something you live with.

You’ll often find that each time you look at it, a different photograph catches your eye – a memory you hadn’t noticed before.

photographs Forever

Photographs Forever

James shared this after receiving his finished pieces: 
 
Yet again we have turned to Photographs Forever to help create a montage of 160 images… It felt as if a friend guided us through the whole process resulting in a unique product that we are so pleased to have mounted on our wall. I can’t see us going anywhere else.

In this case, James came to us with a very clear vision, and we worked closely with him to bring that to life. But that’s not always necessary. Some customers know exactly what they want – others simply have a collection of photographs and aren’t sure where to start.

Rather than being physically assembled, what we create is a single, seamless digital image, designed to give the appearance of photographs being carefully placed together in a classic montage style.

The benefit of this approach is that the finished piece is produced as one continuous print, meaning it won’t deteriorate over time in the way traditional cut-and-stick montages often can, where individual prints may fade at different rates or begin to lift and age

We’re always happy to guide you, suggest layouts, and help shape something that feels right for you.

If you’ve ever felt that one photograph isn’t enough to tell the story… a montage might be exactly what you’re looking for.

Did you catch us on Channel 4 last night?

You may have spotted our name in the credits if you watched Channel 4 on Saturday evening. Our colourisation work features in the new documentary series “The Race For Ancient Egypt in Colour.”

Photographs Forever

Photographs Forever

The programme explores the dramatic race between archaeologists to uncover Egypt’s ancient treasures between the World Wars, including discoveries such as Tutankhamun’s tomb. Using newly colourised archive footage and photographs, the series brings this remarkable period of exploration vividly to life.

We were delighted to contribute to the project and thoroughly enjoyed working on the colourisation of these fascinating historical images.

 

Your Memories – Perfectly Framed

Sometimes one photo just isn’t enough. Multi-aperture frames let you display several meaningful images together in a single frame, creating a mini gallery on your wall. Whether it’s a series of special moments, siblings, or “then and now” comparisons, grouping your favourite photos this way brings your memories to life and makes each one feel even more connected.

Photographs Forever

After something different? Ask us about our floating frames!

It’s also a good moment to check the frames you already have. Over time, we see so many photos that have become stuck to the glass, warped by moisture, or damaged when the glass breaks.

Our frames are built to last, using shatter-resistant acrylic plates instead of traditional glass. They’re clearer, lighter, and far safer for preserving your precious photographs.

Call us today to get any help or information you may need 01825  740986

That Special Photo?

Every family has those photos.
The ones everyone remembers. The ones that come out, again and again, at birthdays, anniversaries, get-togethers.

 

Maybe it’s one that makes everyone laugh.
Maybe it’s someone no longer here.
Maybe it’s just so unmistakably them, it’s become a kind of shorthand for your whole family.

 

 

We call these the “repeat favourites” – the photos that get talked about, passed around, printed for others, stuck to fridges, and pulled out of albums like old friends.

And if they’re looked at that often, they’re probably worth preserving properly.

If your favourite family photo is starting to fade, crack, or crease, we’d love to help you restore it so it lasts another lifetime.

Maybe not every photo needs restoring. But the ones we return to again and again?
Those are worth saving properly.

Can You Spot The Differences?

Below are two versions of the same photo – but look closer, and you’ll see we’ve made 4 subtle changes! Can you spot them all?

This is just for fun – a little photo challenge for the sharpest eyes out there and a nice way to show off what a difference detail can make!

The Appearance of John Kempster’s Photo Album of The Titanic

Stephen Raffield contacted us a while ago as he had managed to obtain a wonderful intact photograph album put together by John Kempster complete with not only his holiday photographs but also some historic and unique images of the Titanic.

Titanic, sets sail, launching Titanic

Here is the story of the album as told by Stephen:

“John Kempster joined Harland and Wolff, Belfast in 1900 and was appointed a managing director in 1906 in charge of the electrical plant. Kempster became involved in the construction and launch of both Olympic and Titanic. He was also a very keen photographer and in 2012 an album of photographs taken and developed by him came to light.

A lady walked into a Wiltshire auction house and asked if the album she was holding was worth anything. As well as a number of photographs of the Kempster’s family holiday in America in 1911 the album contained stunning, never seen before, photos of Olympic leaving Belfast for her maiden voyage and also the launch of Titanic and her own departure from Belfast for the first and last time. The photographs are of exquisite quality and finely detailed. The initial plan of the auctioneers was to break up the album and sell off the photographs singly or in small batches. Steve and Jane Raffield, collectors of Titanic memorabilia, were able to negotiate the purchase of the whole album so that this unique record of both Olympic and Titanic at Belfast would be preserved for the future. Photographs Forever digitalised the photos earlier this year in preparation for the album and selected photos to go into exhibition.

The original Kempster album

The album, photos and the rest of the Raffield Collection are currently on display in Brisbane, Australia.”

This is an article written by Stephen’s son Tom for the  Atlantic Daily Bulletin – Autumn 2024, explaining the story  in greater detail. Many of these historic photographs can be seen in the article.

Atlantic Daily Bulletin 2024

Titanic - Atlantic Daily Bulletin 2024

Titanic - Atlantic Daily Bulletin 2024

Titanic - Atlantic Daily Bulletin 2024

Titanic - Atlantic Daily Bulletin 2024

Original Photograph Restored and Enlarged Over 15x

We recently restored a small 10cm photograph from Ross Howard. It was a photograph of two men and Ross required a new photograph with just one of the men so that it could be printed life size.

The picture below shows the comparative size.

Here is Ross’s story:

“We run a yoga ashram in Southampton called The Yoga Sanctuary. The man in the photo is Swami Yogeshwar Ananda Saraswati, the guru in our lineage, known affectionately to us as Guruji. Guruji left his body in 1985 and I don’t expect there is picture of such detail (and size!) anywhere on the planet. Hence we are truly grateful, Photographs Forever’s work has meant a lot to all of the community here.

“The original photo was retrieved from an ashram in Rishikesh, India.

Swami Yogeshwarananda left home at 14 for a life of renunciation. He found his way to the Himalayas of North India and Tibet where he practiced severe Yogic disciplines for many years. Through this, he became an adept master and began teaching the wisdom of Yoga, setting up several ashrams across northern India. The Sanctuary’s roots stretch back to when our teacher (Steve Harrison) made contact with Guruji at his ashram in Rishikesh. Guruji left his body in 1985 but continues to inspire the work we do here at the Sanctuary to this day.

On a recent trip to the Rishikesh ashram last December we uncovered some photographs that hadn’t seen the light of day for many years. We brought them back to the UK to make digital copies and decided to get one blown up to life-size to display in our Yoga Shala. A few years back Photographs Forever had enhanced another picture of Guruji that we were also able to get blown up in size  so we knew they were the right people for the job!

We couldn’t be happier with the result. It is like he is standing in front of you in life-like detail. I expect this is the biggest and highest quality photo of Guruji anywhere on the earth and it will cherished by the whole community here for many years to come.”

 

Here is the website of the sanctuary : www.yogasanctuary.co.uk

The Fascinating History of Nutley Motor Services Premises

During the last five years we have restored many historic photographs which capture the local history of our village. Nigel is the owner of Nutley Motor Services and he is fascinated by the history of the buildings that are now his premises. So he asked us to restore and frame many of these photographs to display in his main reception area.

This is Nigel’s story:

Well Richard, those amazing photos that we got you to restore and that you somehow managed to work your magic on have a very interesting history attached to them.

There were three key extremely wealthy people back in the late 1800’s that basically pretty much owned most of the land and properties in and around the Nutley and Sheffield Park area. Lady Castle Stewart, who owned the Old Lodge and a large chunk of the Ashdown Forest, John Nettlefold (junior), who owned the Chelwood Vachery up on the Forest, his land went right across to Chelwood Gate, and Albert Turner senior and Albert Turner junior who owned Sheffield Saw Mills, are the people where the main pieces of the jigsaw back in the day and what a rich pattern of life was to unfold.

The Turners were felling down huge areas of forest in around Sheffield Park and the surrounding area, preparing the timber and transporting it to London by rail from Sheffield Park, now known as the Bluebell Railway. As time went by, they found that they had to go further afield to find more timber, which added to the cost of transporting it back to Sheffield Park to send on to London.

That’s where these photographs, that you kindly did for Nutley Motor Services reception area display come into play.

Albert Turner junior, being young and enthusiastic, with grand ideas, stumbles across a large pond in Nutley, Perfect he thought for running his newly acquired steam engines for sawing up the timber in and around the Nutley area, so he acquired the land for a small fee, but would have been a reasonable amount of money back then. He purchased which is now the A22, the land from the A22 and out to Nether Lane and down to Fords Green Nutley, the A22 was just a dirt/mud track back then.

He then built the buildings, now know has Nutley Motor Services on the edge of the pond, as the photographs now show in NMS reception. Hence it was from then on known as the Timber Yard.

Over the years he built his managers and some of his senior employees, foresters’ cottages on the surrounding land around the Timber yard.

Then came his biggest hurdle, his grand idea!

Which is one of the main reasons that he purchased the Timber Yard land and was to apply to have a railway line run across the Ashdown Forest to Edenbridge, so as to ship his freshly cut and sawn timber from the rich forests of Nutley to London.

It’s amazing when you think about it, people come and go, buildings and business disappear, or the buildings are altered, like Nutley Motor Services, Mid Sussex Garage of Chelwood Gate, not to mention how many pubs have been turned into dwellings over the years.

If it wasn’t for photographs, this history would be lost for good!

 

A Picture Brought Back to Life: The Story of PC Austwick

The Murder of PC Austwick (1855-1861)

 

 It’s said that every picture does tell a story.  But for me, the story was minus the picture until I found the excellent team at Photographs Forever.

It was while researching facts about two WW1 soldiers from my village of Lumby, in North Yorkshire that I came across the story of a local policeman who was shot and murdered by a miner.

PC Alfred Austwick was born in Lumby in 1855.  Our village is a place invariably described as a “slumbering hamlet” of about forty houses.  Little has changed since Austwick’s days other than the “thatched cotts” have long gone only to be replaced by barn conversions and new builds but the village still retains its essential charm and peaceful location.  Laurel Farm, where PC Austwick’s father and brother worked, no longer deals in livestock as it once did, but is still a functioning arable farm.

The British Newspaper Archive is a fascinated treasure of facts and I discovered that the murder, which took place about 30 miles away, in Dodworth, near Barnsley, became a national scandal as the man responsible, James Murphy, an itinerant miner with a previous criminal record for burglary and poaching had, after the shooting in the grounds of the Traveller’s Inn, gone on the run for several weeks.  The written style of language is ornate, compared with today, beautifully descriptive and in and amongst the facts I found that several reporters were still intent, even then, on seeking out the salacious gossip!

Over the last few months, I have collated and edited features and articles to build an elaborate picture of what happened.  I was fascinated by how entrenched Christianity was in every area of the lives of people at that time, how fair a trial Murphy received, how there was much compassion for his family and how prison authorities took great care of him.  His relatives were afforded expenses to visit him, he was given the best meat and a chaplain visited him daily.  The death sentence hanged over him but all attempts were made to overturn it.

Beyond the press research I also spent several days in the village of Dodworth and their library – and have been hugely enabled by a retired historian/miner, Steven Wyatt who took time out of his busy life to show me landmarks, to help me understand the area and to help me appreciate what life must have been like then.

Through Steve I was introduced to the owner of the Traveller’s Inn, Jane, who showed me a framed collation of a photocopied newspaper report, Austwick’s whistle and most exciting of all a faded, cut and creased original photo of PC Alfred Austwick, in uniform.

I felt that if I could get the photo restored it would be a fitting image to feature on the cover of the book.  After two photographic experts claimed it wasn’t possible to repair and restore I discovered the excellent team at Photographs Forever – Richard, Amy and Luca.  Not only did they give me the confidence to send it securely to them, but they were at pains to explain how carefully they would manage it.  This was a precious photograph, about 150 years old and it didn’t belong to me.  The team’s customer care is as equal in excellence as the brilliant work they do.  All through the process I was kept informed from the safe arrival of the photograph to the process that they would undertake, to the secure return.

The result was beyond anything that I could have expected.  My faded, armless policeman had been brought back to life – so vividly his eyes seem to engage with mine.

It has been a privilege to remember a man who lost his life so tragically, who left several children without a father and a stricken wife who, at the time of the funeral, was one month pregnant with their sixth child.

PC Austwick’s body was returned to our parish for burial very close to the church gates, and I think of the many hundreds of times I have walked past his grave, never knowing of the story within.

Now, not only can I pay my respects at his graveside, but thanks to the team at Photographs Forever,  I can picture the man who did much to help and protect the lives of villagers in Victorian Britain.

The team helped me tell his story and I remain hugely grateful.

Hilary Robinson’s book The Murder of PC Austwick is available to purchase HERE

Jayne Shrimpton – ‘Photo Detective’ Since the 1980s

Have you ever wanted to know the date when a particular photograph of your ancestors was taken?
Jayne Shrimpton is the leading expert to help you.

Jayne Shrimpton is a respected fashion historian and author, known for her expertise in historic and vintage fashion. With a keen eye for detail and deep knowledge, Jayne has brought the past to life through her work, analyzing photographs, paintings, and garments to tell the stories behind the clothing of different eras. Her engaging articles and talks reveal how fashion trends reflect broader social and cultural shifts. Jayne’s work captivates history enthusiasts by showing how what we wear connects with who we are and where we come from. Her passion makes history feel relevant and alive, one stitch at a time.